Wednesday, October 4, 2017

Act One Scene Two: Rolls 9-A and 10-A

Act One Scene Two: The Evening of January 2nd, 1969

In Act One Scene One, the Beatles arrived one by one onto Twickenham film studio sound stage, where their latest project was to unfold. John arrived first, followed in short order by George and Ringo. Both John and George debuted new candidate compositions, though one (Child of Nature) was clearly a leftover from the backlog of prior year's compositions. The most notable event of the early morning was the rehearsal of John’s Don’t Let Me Down in which George was given free rein to explore as he desired.
Once Paul arrives, rehearsals start with Paul’s I’ve Got a Feeling joined to John’s Everybody Had a Hard Year. The most striking facts that come out the day's rehearsal are:


1. Paul had a clear idea what he wanted from the project before they started to rehearse

2. John was already familiar with Paul's
song.

3.
Everybody Had a Hard Year had already been joined to Paul’s song

4. George was not familiar with the number, and even had to ask whether it was called, “
I’ve got a Feeling”

5. John had the authority to speak for Paul on aspects of his 1
st candidate song

6. Both John and Paul told George what he should be playing to accompany them

7. Ringo never spoke during rehearsal, but was always spot on

8. John and George 
had already voiced negative thoughts about rehearsals at Twickenham, regarding poor sound, and strangers drifting into what had always been a private and secluded activity (recording music) 

9. George Martin arrived on the set 

10. Ringo vetoed traveling outside of Britain for any live show. He is set to start shooting 
The Magic Christian with Peter Sellers in a matter of week, and his window of availability to work on the current Beatle project is rapidly shrinking.

11. They agreed to learn a variety of new numbers and to perfect them simultaneously, rather than perfecting one number at a time, which has been their more common practice in the recording studio.

John’s
Don’t Let Me Down has been taken as far as he cares to take it for the day. So, the Beatles break for an on-set nosh and then determine whether or not it is George’s turn to have the group work on one of his songs).

  Click to listen to rolls 9-A + 10-A

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Act One Scene One: Roll 8-A


Instead of jumping into the rehearsal deep end with John's 'Don't Let Me Down' (as they had done with 'I've Got a Feeling'), they now begin a slightly irritating circular  conversation, where Paul attempts  to pull from John how his song is structured. 

After John plays all the potential sections of the song, Paul steps in and essentially shapes the song.  He advises John to jettison one of the sections of the song. They end with the first full performance of the song, essentially structured as we know it today.
  < >Click to listen to roll 8-A

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Act One Scene One: Roll 7-A



The Beatles complete day one rehearsals of "I've Got a Feeling".  Next, they move on to begin work on John's "Don't Let Me Down".
  https://dl.dropboxusercontent.com/u/107633495/GB2LITD-Roll%207A.mp3

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Act One Scene One: Roll 6-A

Rabbi Saul sporting his Talmudic beard for the 'Bass Player on the Roof' casting call

Taking a break, discussions range from the Stones "Rock and Roll Circus", Paul's "Talmudic beard", and a couple of wacky idea's for the 'Live Show'. One idea floated by director Michael is to stage it as a torch lit spectacular in North Africa attended by 1000's of Arabs.  They also  continue rehearsals of "I've got a Feeling".
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Tuesday, October 3, 2017

Act One Scene One: Roll 5-A


In between "I've Got a Feeling" rehearsals, George initiates "Speak to Me" by fellow Scouser and "old days" friend Jackie Lomax.  They also break into another Dylan "Basement Tapes" song "The Mighty Quinn".
  https://dl.dropboxusercontent.com/u/107633495/GB2LITD-Roll%205A.mp3

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Act One Scene One: Roll 4-A


"I've Got a Feeling" rehearsals continue.  They again break to discuss the 'live show'.  George Martin arrives onto the set.
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Act One Scene One: Roll 3-A































Ringo returns from his morning tea break and climbs up onto his drum kit joining John and George on "Don't Let Me Down".   Paul makes his fashionably late appearance, and joins in on vocals and bass.  Later, he can be heard issuing a round of “Happy New Year” greetings to his band mates, and to the sound and film crew on the set.   

They discuss the 'live show', before settling down to begin their first extended rehearsals of "I've Got a Feeling".


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Monday, October 2, 2017

Act One Scene One: Roll 2-A



John and George continue to rehearse, collectively debuting several new compositions. Ringo, who had arrived during roll 1-A,  continues his morning tea break.






 https://www.dropbox.com/s/xnv6tu1jw3gj2v6/GB2LITD-Roll%202A.mp3?dl=0

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Act One Scene One: Roll 1-A



Act One Scene One
The Morning of Thursday, January 2nd, 1969


One by one the Beatles arrive on the Twickenham film studio sound stage to begin both a new year (1969) and to begin the new project that they have each signed onto. Their collective understanding of the project being the following:


1. Write a batch of new songs meant to be performed and recorded live, and without any overdubs

2. Film every step of the creative process capturing their writing and perfecting the batch of new songs for a television documentary

3. Perform the new numbers live before an audience in some sort of grand show

Each Beatle brought to the project his own collection of potential candidate songs in various states of completion. 

https://www.dropbox.com/s/0s9ag9t45e8t73d/GB2LITD-Roll1A.mp3?dl=0

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